A faculty was sought to allow the introduction into the Abbey of a diptych, one part of which portrays St. Ethelflaeda, one of the patron saints of the Abbey; the other part of the diptych depicts a candlestick. The Statement of Significance submitted by the Petitioners said that the painting was designed “to be challenging and controversial”, and to encourage “members of the congregation and visitors alike to contemplate the serenity of the abbess’s face and reflect on our own faith and spirituality”. There were 15 objectors, who did not become parties opponent. Objections included: the painting lacks artistic merit; it does not “enhance or beautify the Abbey in any way” and is “ugly”; “The ‘Saint’ is sinister and anatomically impossible and the candlestick, as often commented… looks like a giraffe neck”; the painting is not edifying/spiritually beneficial; it is “dark and disturbing”, “grotesque” ... and “raises nothing but horror”; it detracts from the architecture of the Abbey. The Chancellor decided to grant a faculty: "those who find the painting beautiful, helpful and spiritually uplifting can continue to benefit from its presence, and it can continue to play a part in the Abbey’s outreach and mission. Those who are disturbed or displeased by it need not dwell on its presence. It seems to me that the Abbey is a large enough space, physically and spiritually, to accommodate both camps."